Greatest staging at Eurovision: 5 underrated performances


We’re all aware of iconic staging at Eurovision. From Eleni’s Foureira’s rhinestoned catsuit and vigorous flamed efficiency, which took her to second place again in 2018, to Go_A’s cyberpunk folks ritual breaking the highest 5 in 2021, latest years have proven staging is extra necessary than ever to solidify a great end result.

However amidst the chaos, there are a couple of forgotten gems — performances that have been a few of the finest staged, however have been forgotten over time and barely spoken about by followers. Let’s take a stage dive into 5 underrated picks!

Memorable staging at Eurovision: 5 underrated performances

Carl Espen — “Silent Storm” (Norway 2014)

A efficiency laced with Eurovision clichés, this emotional ballad has every little thing we should always hate in a efficiency: violins, highlight, wind machine, smoke, man on a piano. However that is precisely why this efficiency was so good. The signature Scandinavian polish was used to nice impact to create a shocking bundle for viewers. Paired with the beautiful diamond-inspired stage design and intelligent “stormy sea” model LED, we go on a transparent journey — one which landed Espen a properly deserved high 10 end within the grand last.

Albina — “Tick-Tock” (Croatia 2021)

Arguably one of the vital memorable stage exhibits of the 2021 contest held within the Netherlands, this futuristic gentle present was nothing wanting spectacular. Discuss an improve! This entry was removed from a fan favorite after Albina’s victory at Dora, however the group invested golden time and loads of Euros into this efficiency. It paid off. The staging echoes the laser beam wall of Benjamin Ingrosso’s “Dance You Off” efficiency from 2018, blended with some Melodifestivalen magic. The digital camera angles are constant and dynamic, gripping the viewer and sustaining curiosity. And who may overlook the second we get 5 Albinas as she cross-multiplies mid-song? Regardless of all of this the music ended up in a disappointing eleventh place within the first semi-final. However, it made a long-lasting impression within the minds of followers throughout the continent.

Petr Elfimov — “Eyes That By no means Lie” (Belarus 2009)

Earlier than the likes of Elina Nechayeva, Aliona Moon and Sabina Babayeva, Belarus was an early adopter of the projected costume development. This efficiency had all of it. Petr stands centre stage in angelic white, juxtaposing the acid inexperienced backdrop, accompanied by a spirit-like determine with billowing cloth and projected flames. The viewer feels as if they’re hovering across the stage on this enchanting ensemble. Essentially the most notable side of the whole efficiency is the right steadicam shot that circles Petr throughout the last refrain. It enhances the sheer energy of his vocals, elementary within the supply of such a posh rock anthem.

Ivi Adamou — “La La Love” (Cyprus 2012)

Like a goddess of the library, she danced her method to sixteenth place in Baku. Sporting a champagne costume and cream equipment, Ivi Adamou took us to a Mediterranean fantasy land throughout her efficiency of “La La Love”. With such a Eurotastic pop music, the Cypriot group knew they wanted a stage present to match, and what higher manner than to wheel a desk constructed from books on stage for Ivi to stomp throughout and be lifted to the gods by 4 gorgeous backing dancers? The backdrop included an assortment of shells and architectural imagery which labored completely with the theme. Paired with robust lighting results throughout an brisk dance break, there’s good motive why this entry is so beloved inside the fandom. 

Laura Tesoro — “What’s The Stress” (Belgium 2016)

Laura Tesoro was clearly the darkish horse of 2016. “What’s The Stress” generated little buzz previous to rehearsals, however upon landing in Stockholm, followers modified their tune. Laura and her entourage labored the stage sporting silver and white costumes with LEDs resembling the lights of Las Vegas. This efficiency constructed on Belgium’s new wave of momentum, following Loic Nottet’s success a 12 months earlier. Beginning with synchronised handkerchief waves and a choreographed stroll down the runway, we see Laura take centre stage and hit each digital camera angle with ease, ending on the satellite tv for pc stage the place we as viewers members really feel much more linked to her. This can be a nice instance of how the ‘live performance’ really feel can improve the general impact of the staging. It gave Belgium a pleasantly shocking tenth place end within the last.

What do you suppose? Which different Eurovision stage exhibits are under-appreciated? Share your ideas within the feedback beneath. 



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